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[Venise 2022] « No bears » de Jafar Panahi
[Venise 2022] « Il Signore delle formiche » de Gianni Amelio
[Venise 2022] « The Eternal Daughter » de Joanna Hogg
[Venise 2022] « Monica »d’Andrea Pallaoro
[Cannes 2022] « War Pony » de Gina Gammell & Riley Keough
[Venise 2021] “Un autre monde” de Stéphane Brizé
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[Venise 2021] “Captain Volkonogov escaped” de Natasha Merkulova et Alexei Chupov
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[Venise 2021] “Qui rido Io” de Mario Martone
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[Venise 2021] « Reflection » de Valentyn Vasyanovych
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[Venise 2021] “La Caja” de Lorenzo Vigas
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[Venise 2021] “L’évènement” d’Audrey Diwan
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[Venise 2021] “Il Buco” de Michelangelo Frammartino
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[Venise 2021] “The Power of the dog” de Jane Campion
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[Venise 2021] “Les Promesses” de Thomas Kruithof
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[Venise 2021] “Madres paralelas” de Pedro Almodovar
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[Festival de Cannes 2021] “Drive my car” de Ryusuke Hamaguchi
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[Festival de Cannes 2021] “France “ de Bruno Dumont
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[Festival de Cannes 2021] “Un héros” d’Asghar Farhadi
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[Festival de Cannes 2021] “Bonne mère” de Hafsia Herzi
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[Festival de Cannes 2021] “Tre Piani” de Nanni Moretti
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[Festival de Cannes 2021] “Le Genou d’Ahed” de Nadav Lapid
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[IFFMH 2020] “La Femme qui s’est enfuie” de Hong Sang-soo
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