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“Immaculée” de Michael Mohan
[Venise 2023] “Aggro Dr1ft” de Harmony Korine
[Venise 2023] “Enea” de Pietro Castelitto
[Venise 2023] “The Killer” de David Fincher
[Venise 2023] “Adagio” de Stefano Sollima
[Cannes 2018] “Dogman” de Matteo Garrone
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[Cannes 2018] “Under the Silver Lake” de David Robert Mitchell
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[Cannes 2018] “BlacKkKlansman” de Spike Lee
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[Cannes 2018] “Everybody knows” d’Asghar Farhadi
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[Berlinale 2018] “Unsane” de Steven Soderbergh
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[Berlinale 2018] “Khook” de Mani Haghighi
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[Berlinale 2018] “Ondes de choc : Journal de ma tête” d’Ursula...
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[Berlinale 2018] “Utoya, 22. Juli” d’Erik Poppe
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[Berlinale 2018] “The Real Estate” d’Axel Petersen & Mans Mansson
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[Berlinale 2018] “Profile” de Timur Bekmambetov
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“Jusqu’à la garde” de Xavier Legrand
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“3 Billboards, les panneaux de la vengeance” de Martin McDonagh
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[Berlinale 2017] “Have a nice day” de Liu Jian
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[Berlinale 2017] “Mr. Long” de Sabu
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[Berlinale 2017] “Pokot” d’Agnieszka Holland
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[Cannes 2016] “Money Monster” de Jodie Foster
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“Merci Patron !” de François Ruffin
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